Od postaci do głosu. O librettyzacji współczesnego dramatu

The analyses presented in the article reverse traditional course of studies which assume that poetics a dramatic text is instrumentally superior to libretto. In order adapt hypothesis contemporary drama increasingly libretto-like, inserted into its structure is, excerpted by opera theatre researchers, libretto treated as genealogical directive specific genre differentiates it from “third kind” classical expressions. breakup basic categories constituting ( character, dialogue and plot ) brings visibly closer operatic with features characterised Albert Gier, among others. post-dramatic aesthetics adapted drama, removes character or reduces voice merely medium, absolutising way word sounds transsystemic remix all result emergence common stage chimaera genre.